About the Author
I'm Stephan, a Linux user with a passion for open-source, UI/UX design, and exploring what makes fiction work.
In my spare time, I focus on (and write about):
- Programming (mainly in Python and Rust)
- Retrocomputing (mostly DOS)
- Reading and Reviewing Fiction
- The odd bit of UI/UX design or literary theory
For notification of significant updates to existing posts, consider following me on Mastodon.
Sorry. No data so far.
December 2022 S M T W T F S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
Category Archives: Writing
Those who know me well know that I’m a bit of a paradox when it comes to writing. On the one hand, I do have issues with distraction and I do approve of the concept of separating composition and typesetting, … Continue reading
Last Updated: August 30th, 2019 Since I seem to keep offering bits and pieces of this advice to people over and over, here’s a guide (which I’ll probably amend as things occur to me) for writing consistent, believable, and easy-to-understand … Continue reading
Well, I finally saw Frozen and my brother and I pretty much agreed that, while it’s nice, it does have significant flaws. What’s really interesting, though, is the kinds of problems it has: They all fundamentally stem from Frozen being … Continue reading
TL;DR: When you’re doing something creative, look for details which, with only minimal change, could greatly broaden your work’s appeal and staying power. (Also includes examples.) Every now and then, I run across a creative work which frustrates me, not … Continue reading
The difference between a well-done villain like Ursula in Disney’s The Little Mermaid and a poorly done one like Rasputin in Don Bluth’s Anastasia is actually pretty simple. With a well-done villain, you can understand and sympathize with whatever made … Continue reading
From a structural standpoint, one of the biggest reasons Freeman’s Mind works so well as humor is that, in the Half-Life story, Ross Scott’s version of Gordon Freeman embodies not one or even two, but three humorous juxtapositions which can … Continue reading